Let’s look at the timeline here, because it’s funnier than a clown car on fire. This Switch port was announced in October 2023. At that time, we all thought, 'Okay, cool, they’ll probably just upscale the assets, strip out the predatory gacha mechanics, and dump it on the eShop by mid-2024.' Nope. Broccoli looked at the calendar and decided that three years was the appropriate gestation period for a game that already exists. We are looking at a 2026 release window. To put that in perspective, by the time this game launches, the Nintendo Switch will be a legacy console currently being used as a paperweight in most households, and we’ll probably be on the Switch 2: Electric Boogaloo.
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- Original Announcement: October 2023
- Mobile Shutdown: December 2023
- Scheduled Resurrection: 2026 (Japan)
- Platform: Nintendo Switch (and your waning patience)
Rogue’s Take: The Audacity of the Idol Industry
I’ve seen some slow-motion train wrecks in my time, but this is a train that hasn't even left the station and is already asking for a three-year nap. Why does a rhythm game port take this long? Are they re-recording every song with a live orchestra of angels? Are they hand-stitching the digital sequins on Ittoki Otoya’s jacket? More likely, they’re just trying to figure out how to sell a dead mobile game to a fanbase that has already moved on to the next shiny thing. Don’t pre-order this. Don’t even think about it. By 2026, these 'princes' will be 'grandfathers' in the world of idol lifespans.
Let’s talk about the hardware. The Nintendo Switch is already struggling to keep its fans from spinning into low-earth orbit. By 2026, trying to play a modern-ish game on it will be like trying to run Cyberpunk 2077 on a digital watch. If this isn’t a launch title for the Switch’s successor, I don’t know what Broccoli is smoking, but I’d like some to help me forget this announcement. And let’s not forget the 'Don't Pre-order' rule. This is a port of a game that died. It was literally taken behind the shed and put out of its misery on mobile. Why are we celebrating its zombie corpse coming back three years too late?
The 'Shining Live' title is starting to feel a bit ironic, isn't it? It’s more like 'Shining Limbo.' The fans are loyal, I’ll give them that. They’ll wait. They’ll buy the special editions. They’ll probably buy the 2026 calendar that comes with it, even though time will have lost all meaning by then. But for the rest of us with a functioning sense of 'this is a bad deal,' it’s a giant red flag. If a studio needs three years to port a mobile game, there is either one person working on it in their basement, or they are rebuilding the engine from scratch for absolutely no reason.
Conclusion: Set Your Alarms for the Heat Death of the Universe
In short, Uta no Prince-sama: Shining Live for the Switch is a masterclass in how to kill momentum. You announce a game, kill the version people are actually playing, and then tell them to wait 36 months for the privilege of paying for it again. It’s bold. It’s daring. It’s absolutely ridiculous. If you’re a die-hard fan, I guess I’ll see you in 2026. For everyone else, maybe just go outside and look at a real tree. It’ll have more frames per second than this port will on the original Switch hardware in two years.
๐ Gamer Verdict
"A three-year wait for a port of a dead mobile game is a joke that isn't even funny."
✅ The Good
- The art is pretty (if you're into that)
- No more gacha mechanics (hopefully)
❌ The Bad
- Insane 2026 release window
- Porting a game that already failed its service life
๐ Global Quick Take
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Tags: #UtaPri #NintendoSwitch #GamingRant #IdolGames #ShiningLive
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